I interpret Dostoevskij’s religious concepts in terms of mythogenesis and mythopoesis. Dostoevskij’s religious concepts arose on the basis both of his personal emotional experience and of the discourse of popular Orthodoxy. They demonstrate the antinomial nature of Russian spirituality, and are typified by his conception of the family, which illustrates the communal basis of the individual personality. The antimomial idea of the family is most fully developed in Dostoevskij’s novel The Brothers Karamazov, in which the four models of fatherhood correspond (...) to Isaac the Syrian’s concepts of physical, spiritual, mental and divine fatherhood. (shrink)

v. 1. Sŏngnihak pʻyŏn -- v. 2. Kyŏngse sasang pʻyŏn.

Opening the round table, I. T. Frolov, editor-in-chief of Voprosy filosofii, stated that discussing problems of this type today, the task lies not so much in emphasizing their general and traditional aspects but in finding a scientific and practical solution to new problems of interaction of man and nature that can now be solved only on a global scale. Furthermore, he observed that discussion of these problems as questions of morality, in terms of pessimistic or optimistic evaluation, is very important (...) but certainly entirely inadequate. Not only social and philosophical but many political conclusions follow from a discussion of problems of interaction between man and nature. Investigation and solution of these problems, which require concrete scientific and practical approaches, may facilitate the development of such policies as peaceful coexistence, strengthening of neighborly treaty relations, and so forth. Solving these problems will help peoples come closer together and contribute to the firmer establishment of peace throughout the world. (shrink)

_Purpose_ of the research is to study the originality of interpretation of death in the lyrics of Ukrainian diaspora in Canada in the context of the opposition "foreign land – motherland", based on its existential development in philosophical anthropology and culture of the last two centuries. Its implementation presupposes, first of all, analysis of the forms of development and disclosure of the death motif by figurative and artistic means. _Theoretical basis__._ The author uses the well-founded tradition of interpreting the death (...) motif in philosophical literature of the last centuries, i.e. non-classical and modern philosophical thought. _Originality._ The present study is an attempt at systematization of the notions of death in Ukrainian poetry in Canada in the second half of the 20th century. It is based on the study of artistic texts and the worldview of Ukrainian emigrants. Appeal to the fiction of the Ukrainian Diaspora allows illustrating the originality of philosophical understanding of death in the context of the national culture. _Conclusions_. Reference to Ukrainian-Canadian poetry allows expanding the space of philosophical understanding of death in the form of figurative fiction. Concretizing the character of their interpretation of the motif of death, it is necessary to focus attention on its two basic forms of manifestation: existential, associated with living abroad, and sacrificial death for the benefit of the homeland. Thus, the motif of death occupies a significant place in the lyrics of representatives of the Ukrainian diaspora. The concept of human death is closely connected with the concept of life, which is concretized through their meaningful comprehension. This is a matter of interpretation of despair and loneliness motifs, as well as the illumination of the images of a foreign land, which is one of the features of emigrant literature in general. (shrink)